|
So You Want A Surface Piercing.
Surface piercings generally suck because the piercer performing them
is an idiot that doesn't care enough about their client to do the
piercing correctly (not helped by the fact that every tattoo magazine
and piercing website out there, desperate for attention of their own,
will gladly reprint their "freaky" photos and hold them up as "artists of the
month"). In the following article I will try and explain
why surface piercings fail, and how they can be coaxed into properly
healing. There is absolutely no excuse for surface piercings not
having at least an eighty percent success rate.

TRADITIONAL SURFACE PIERCING

THIS WILL REJECT!
|
Why do surface piercings reject?
Your body, given the choice, would rather not have piercings. It sees
them as foreign matter attempting to penetrate its defenses. As such,
you need to understand not just how your body heals piercings, but how
it rejects them as well.
Most of the time when small objects are placed under the skin, your body
pushes them out like a splinter. To simplify, this happens by "selective suicide",
where the skin above the object dies, and it falls out. In the case of
a piercing, this happens from the outside edges in, as seen in the animation
above, and as I've marked with red in the diagrams. This happens almost
automatically as the object (jewelry) disrupts the natural living processes
of the cells affected.
However, by making it "difficult" by both asking the body to sacrifice "too
much" tissue, by doing as little damage with the piercing as possible, and
by minimizing the body's immune response,
this rejection process can be frozen. It is important to note that a
piercing always sits on this balance -- it never leaves. If you bump a well
healed piercing even years after having it done, and cause enough damage to
tip the scales, a rejection process will start. Once started, rejection
processes are effectively impossible to stop.
To illustrate, I'd like to include a few piercings from BME and talk about
why they failed (or will fail). My apologies to the clients and piercers
involved for "outing" them, but the fact is that these are poorly done
piercings:

Straight bar, vertical chest -
This piercing is just a straight bar placed in the tight skin on top of
the sternum. Enormous pressure is on the piercing, and it will quickly
reject leaving a scar.
|

Tight rings, wrist -
These small rings are under pressure, are exposed to constant motion, and
because they cover such a small gap, will be very easy for the body to
reject.
|

Rib bar, plastic jewelry -
This jewelry puts slightly less pressure on the piercing by using flexible
plastic jewelry, but the body still can't stop the rejection at the edges
(rejection is inevitable).
|

Nylon arm bars -
These arm bars will reject even more quickly than other nylon surface
piercings do because they have long overhanging edges, and have been placed
in a high motion, high impact area.
|

Long plastic rib bar -
This rib bar will not only reject from the edges as other surface piercings
do, but possibly also from the centre -- it is too long for the piercing to
properly drain, so the centre will become flooded with dead tissue.
|

Tygon back bars -
These have more potential to heal because they are both extremely flexible
and the Tygon tube has the ability to conform more to the body's needs, but
they usually still reject from the edges inward.
|
So let's qiuckly run-down the things that contribute to the end of a
surface piercing:
- Up-pressure - The jewelry excerts leverage up on the skin above
it. This stresses the tissue, and also partially clamps off blood supply to
it.
- General damage - The process of doing the piercing damages the
tissue and weakens it, initiating the healing/rejection process. In addition,
the continual damage caused by light allergic response to the jewelry can
irritate surrounding tissue enough to cause rejection.
- Motion - If a piercing is placed in a location that moves, either
by twisting, stretching, or compression of the skin it's through, forces will
be applied to the entire piercing, including the entrance and exit holes.
- Impact - If a piercing is placed in a location that regularly
gets bumped (not just by accident, but also by things like clothing and
belts), this can of course damage the piercing.
- Drainage - In the process of healing, dead tissue (both from the
area, and the corpses of cells sent to help heal) is thrown away and replaced
with healed tissue. The body must have a channel for disposing of this waste
to effectively heal.
Now let's look at how these things can be reduced:
- Up-pressure - There are a few overlapping routes to minimizing
this:
- Placement - Some skin is tighter than others. Some looser
skin, either because of its anatomical placement, or because of
the age of the client, is very pierceable, even with poor technique.
- Jewelry Material - A jewelry's ability to conform to the
body's needs goes a long way to stopping rejection, but doesn't
entirely eliminate the problem. Using this route to stop rejection,
metals are horrible, nylon is only marginally better, and Tygon is
the current champion of this method.
- Jewelry Shape - Careful jewelry design can effectively
totally eliminate up-pressure issues if the jewelry passes straight
down to a "safe" distance, moves across the skin at a consistent
depth, and then re-exits straight up again.
- General damage - Normally the damage shouldn't be a major issue,
but realize that it's at the entrance and exit points of the piercing
that any rejection will occur, so don't give it an excuse. The piercing
should be cleanly done and as much as possible follow the precise path
of the jewelry. As far as material, the material that causes the least
response from the body should be used -- in general this means titanium,
as well as some plastics.
- Motion - Draw a grid on your skin, and draw the piercing on your
skin over the grid. Now, move the area as much as you can. For the
piercing to be viable, this line should stay constant in shape and
length, no matter what position the body is put in. Flexible jewelry
will give you more freedom as far as motion, but ideally this problem
should be solved with careful placement.
- Impact - If you put a piercing on your hands, your forearms, your
shins, or any number of other places depending on your lifestyle, you're
going to hit it on things a lot. There's nothing you can do about this
outside of not putting piercings in these locations. In addition, if you
know that a bra strap or belt will rub on the piercing, that alone is
often enough to make it fail.
- Drainage - A piercing of a given gauge has a maximum length,
with larger jewelry being able to support longer lengths. Realistically,
keep surface piercings to under two inches in length.
First of all, all people heal differently. Some people are able to heal
piercings even if they violate many of the suggestions above. In other people
the piercings may appear "healed" for months before showing problems (and
if they take out the piercing before then, they'll swear up and down that
it was healed forever). Point is, most people who drive drunk get home
safely without killing anyone, but that doesn't make it a good idea.
I'd like to mention now a few of the techniques people have used to try
and make surface piercings heal:
- "Traditional" technique - Ignoring the morons that pierced (and
still pierce) surface piercings like they would an ear, traditionally surface
piercings were done with either curved barbells or nylon bars. While these
do heal in a small percentage of people, they are almost all unsuccessful
in the long term. This method is unacceptable, and any piercer performing it
should be avoided.
Scalpelled technique - This technique (shown on the right) is
probably the only serious method that attempts to allow people to perform
surface piercings using traditional metal jewelry. The theory is to create
a low-pressure "flap" that the jewelry will sit under and have minimal
interaction with. Unfortunately, the body tends to "pull down" the tissue
quite quickly on most people, simply slowing down rejection rather than
eliminating it. In any case, this is an experimental technique that is not
available to the general public.
- Scar-and-brace techniques - Some people experimented with piercing
underneath a brace, either toughened tissue or a small implant. Unfortunately
this tended to lead to other complications, and this techncique is rarely
pursued except as a novelty.
- Surgical techniques - Transscrotal piercings and bipedical flaps
are good examples of this method (which isn't really piercing anyway). The
aim is for a single procedure to leave the client with a well developed
fistula ("skin tube") by surgically constructing it. This technique is well out of the reach of all but
a handful of piercers and should not be generally even considered.
- Flexible jewelry (Tygon) technique - Tygon is a flexible inert
plastic tube that has become quite popular in surface piercing. It is far
more flexible than nylon, and thus greatly reduces the pressures that the
piercing puts on the skin. If you are going to use any technique other than
surface bars, or want to do a surface piercing in a location not suited to
surface bars, this is in my opinion the only acceptable method.
- Surface bars - Surface bars, which I will discuss at length in
the next section, are in my opinion the single best -- and perhaps
only -- acceptable solution for most surface piercings. They attempt
to solve the problems in surface piercing by intelligent jewelry design.
Surface Bars
While surface piercing is a diverse art, and different piercings do need
different solutions, if a generalization is to be made, I feel confident
in saying surface bars are the best available solution to the surface
piercing problem.
I'd like to define what a surface bar is, since I see a lot of people
and companies making poor imitations and selling them as the real thing.
First, a surface bar is made of a rigid material, generally titanium or
stainless steel. Second, a surface bar is never larger in gauge that
required, nor is it longer than required -- it leaves a minimal footprint.
Finally, it's shape must be matched to the anatomy (which means that
you probably will need a consultation first, and then an appointment for
the piercing a week or two later). First, the bars should only extend enough
above the skin to accomodate any swelling -- excess length will greatly
decrease the chances of good healing. The bar must go straight into the skin
at a ninety degree angle (perpendicular). It then must change direction
as tightly as possible (a loose curve isn't going to cut it). It must then
travel across (under) the skin, staying at a constant depth. It must then
exist again at ninety degrees. In flat areas, this means a staple shaped
bar (as you see above right and in the middle piercing below), but for curved areas, other shapes must be
used. For example:
Assuming one matches the shape properly and sizes the bar properly, places
it in an area where motion and impact won't be an issue, there are no
major reasons why anyone shouldn't be able to heal one of these. Some
redness around the bars should be expected during healing, but this should
go away in time. Overall, a LITHA ("leave it the hell alone") healing method
seems to work well if the piercing is placed properly.
I think it's important to credit the inventor of the surface bar, Tom
Brazda of Stainless Studios in Toronto (although I'd like to think I played
a role in its development as well). I have seen many other pseudo-surface
bars from the same time period, and most were poorly designed and did not
work as well as they could.
I'd also like to mention what may turn out to be a future evolution of
surface bars -- I'm not sure what the name is (maybe "surface wire"), but
it's a surface bar made of flat wire stock instead of round stock, thereby
bringing its volume to an utter minimum, while maintaining surface area.
Both my own experiments, as well as Tom Brazda's research on the subject
have shown that this technique, at least in certain applications, offers
dramatically improved performance over surface bars. Unfortunately these
bars are also dramatically more difficult to manufacture.
To conclude, I'd like to show some pictures of what I consider "well done"
surface piercings that are either well healed, or I believe will heal well
if kept. All of the following piercings are good examples of surface bar
technique:
 
 
Final Questions
What do you think of people using other techniques for surface piercing?
If a piercer wants to experiment on themselves or their close friends, fine.
But when it comes to the public, surface bars must be used for most
surface piercings, and those few that aren't suited to surface bars must be
done using a Tygon-style technique. It is my strong opinion that as of the
date of this writing, those are the only acceptable techniques.
Where can I go in my area to get surface piercings done?
Sorry, but I'm just one guy, and I probably don't live in your area. In
Toronto, your choices are basically either going to Tom Brazda at Stainless
Studios (just east of Queen and Bathurst), or to Blair at Passage (just
south of Church and Wellesley). If you don't live in Toronto, call your
local studios and ask, "do you use surface bars for surface piercing?" If
the answer is "yes", go in and check out their portfolio. If they don't
have one, or you're not happy with what you see, find another studio.
There's no point in getting a piercing if it's just going to reject.
Where can I purchase surface bars?
Again, I am not familiar with all the manufacturers on the market, so any
list I were to make would leave out many people. I can say that 80% of the
surface bars I've seen companies selling do not meet the basic design
criteria. In addition, you must choose a company that will make the
bars exactly as you ask. Under no circumstances should surface bars be
considered a "one size fits all" solution -- although by keeping a variety
of bar sizes in stock a studio could certainly always have nape and
forehead bars in stock. On that subject, the most common mistakes
manufacturers make are either not using a sharp 90 degree angle, or in
using "legs" that extend too far above the skin.
Anyway, I don't have a list for you -- ask your regular suppliers. However,
you can always contact Stainless Studios at (416) 504-1433. I know that if
it was me I'd want to buy bars from the place with the most hands-on
experience using them. (Note: BME has no commercial relationship with
Stainless Studios, and I don't get a cent from any of their sales, nor do
they even contribute photos to BME.)
Shannon Larratt
BMEZINE.COM
May 14th, 2002
Return to the main gallery page
|